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A FINE PAIR OF SMALL LEMON-YELLOW SAUCERS MARKS AND PERIOD OF YONGZHENG
Description
Exhibited
Chinese Ceramics from the Meiyintang Collection, The British Museum, London, 1994.
Evolution to Perfection. Chinese Ceramics from the Meiyintang Collection/Evolution vers la perfection. Céramiques de Chine de la Collection Meiyintang, Sporting d'Hiver, Monte Carlo, 1996, cat. no. 191.
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Similar saucers from the Elphinstone collection are preserved in the Sir Percival David Collection in the British Museum, London, see Illustrated Catalogue of Ming and Qing Monochrome Wares in the Percival David Foundation of Chinese Art, London, 1989, nos B 543-4; one of a pair is also illustrated in John Ayers, Chinese Ceramics in the Baur Collection, Geneva, 1999, vol. 2, pl. 330.
A similar pair of saucers from the Bernat collection was sold in these rooms 15th November 1988, lot 60; a pair from the Goldschmidt collection, later in The Tsui Museum of Art, Hong Kong, illustrated in The Tsui Museum of Art. Chinese Ceramics IV: Qing Dynasty, Hong Kong, 1995, pl. 29, was sold in these rooms 13th November 1990, lot 67; a pair from the collection of J.M. Hu was sold in our New York rooms, 23rd September 1995, lot 429; and a single one from the Toguri collection in our London rooms, 9th June 2004, lot 6.