- 335
Travel: England and Australia
Estimate
3,000 - 4,000 USD
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Description
- ink and paper
A group of 5 volumes of views of the British Isles and Australia, all oblong 4to, some handcolored.
Paul Sandby. The Virtuosi's Museum; containing Select Views of England, Scotland and Ireland. London, 1778. Engraved title and 72 handcolored engraved plates (of 108); some plates browned. Contemporary straight-grained morocco. — William Payne. Picturesque Views in Devonshire, Cornwall, &c. London, 1826. 16 handcolored engraved plates. Later half brown morocco over grey boards, straight-grained morocco label on front cover. — Louis K. Harlow. The Home of Shakespeare. Boston, [1888]. 8 artist's proofs printed in color on satin by Louis Prang after Harlow, proofs matted. Lithographed illustrations with text. Full1 brown morocco lettered gilt on front cover; edges faded. —Samuel Thomas Gill. Victoria Illustrated. Melbourne, 1857. Engraved pictorial title and 44 plates; occasional foxing, some marginal browning or soiling. Publisher's blue cloth blockied in gilt; upper hinge cracked. — Idem. Victoria Illustrated. Second Series. Melbourne, 1862. Handcolored engraved title-page, letterpress title-page, 43 handcolored engraved plates; foxing and staining throughout, one plate creased. Contemporary brown morocco lettered gilt on front cover; extremities worn.
Paul Sandby. The Virtuosi's Museum; containing Select Views of England, Scotland and Ireland. London, 1778. Engraved title and 72 handcolored engraved plates (of 108); some plates browned. Contemporary straight-grained morocco. — William Payne. Picturesque Views in Devonshire, Cornwall, &c. London, 1826. 16 handcolored engraved plates. Later half brown morocco over grey boards, straight-grained morocco label on front cover. — Louis K. Harlow. The Home of Shakespeare. Boston, [1888]. 8 artist's proofs printed in color on satin by Louis Prang after Harlow, proofs matted. Lithographed illustrations with text. Full1 brown morocco lettered gilt on front cover; edges faded. —Samuel Thomas Gill. Victoria Illustrated. Melbourne, 1857. Engraved pictorial title and 44 plates; occasional foxing, some marginal browning or soiling. Publisher's blue cloth blockied in gilt; upper hinge cracked. — Idem. Victoria Illustrated. Second Series. Melbourne, 1862. Handcolored engraved title-page, letterpress title-page, 43 handcolored engraved plates; foxing and staining throughout, one plate creased. Contemporary brown morocco lettered gilt on front cover; extremities worn.
Condition
Paul Sandby. The Virtuosi's Museum; containing Select Views of England, Scotland and Ireland. London, 1778. Engraved title and 72 handcolored engraved plates (of 108); some plates browned. Contemporary straight-grained morocco. — William Payne. Picturesque Views in Devonshire, Cornwall, &c. London, 1826. 16 handcolored engraved plates. Later half brown morocco over grey boards, straight-grained morocco label on front cover. — Louis K. Harlow. The Home of Shakespeare. Boston, [1888]. 8 artist's proofs printed in color on satin by Louis Prang after Harlow, proofs matted. Lithographed illustrations with text. Full1 brown morocco lettered gilt on front cover; edges faded. —Samuel Thomas Gill. Victoria Illustrated. Melbourne, 1857. Engraved pictorial title and 44 plates; occasional foxing, some marginal browning or soiling. Publisher's blue cloth blockied in gilt; upper hinge cracked. — Idem. Victoria Illustrated. Second Series. Melbourne, 1862. Handcolored engraved title-page, letterpress title-page, 43 handcolored engraved plates; foxing and staining throughout, one plate creased. Contemporary brown morocco lettered gilt on front cover; extremities worn.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.