- 243
Montulé, Edouard de
Description
- paper
2 text volumes, 8vo (7 3/4 x 4 7/8 in.; 197 x 124 mm), 1 atlas volume, oblong folio (10 x 13 3/4 in.; 254 x 350 mm). Half-titles, 59 numbered lithographed plates including title and 2 folding maps (of eastern North America and the Nile valley), some plates with siena or green tint, printed by the Comte de Lasteyrie except plate ix printed by Marlet; blank upper fore-corner of first half-title torn away, very light occasional marginal spots in text, heavier spotting in margin and image of 23 plates, clean fold tear at outer edge of America map and small marginal tear mended. Contemporary quarter sheep and marbled boards, spines gilt, joints rubbed, small tear in lower hinge of volume 1, one corner bumped, a few scratches in covers.
Literature
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
First edition. An early use of lithography in a travel book, including several early views of America.
Montulé's work consists of epistolary accounts of a voyage from New York to the West Indies with stops in Jamaica and Santo Domingo, returning by way of New Orleans and the Mississippi River to the Ohio River and the Hudson Valley, along with his travels in Sicily and Egypt. His map of the United States, and his view of New York are considered the earliest map of the country and the earliest American city view in the medium of lithography. In the foreword he states (in translation): "I should not have published these letters without the aid of lithography. The easy execution of this process suggested to me the idea of passing along to my friends and to the public some of the sketches I have made in different countries. Several persons of some repute in the arts have assured me that a collection of views of America ... would not be without interest; that is what made me decide to have them printed ..."