George Sand

The paper has been irregularly cut but the image is not affected. Slight staining to the upper sky, otherwise colors are bright and fresh. Traces of old adhesive on verso at each corner. Work is currently affixed to the mat with two paper hinges at top edge. Possibly a small restoration in the lake
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

George Sand, surtout connue comme écrivain, avait un véritable talent de peintre et de dessinateur. Elle aimait portraiturer ses amis et peindre des paysages à l'aquarelle. En 1860-1861, à Nohant ou lors de sa convalescence en Savoie, elle produisit quelques paysages imaginaires qu'elle appelait ses "dendrites " qu'elle créait selon une technique très personnelle: elle écrasait entre deux cartons bristol des couleurs à l'aquarelle. Cet écrasement produisait des nerveures parfois curieuses. Son imagination aidant, elle voyait des bois, des forêts ou des lacs, et elle accentuait ces formes produites par le hasard.