- 24
František Foltýn
Description
- Franti�ek Folt�n
- Portrait of Dostoyevsky (DOSTOJEVSKIJ)
- signed and dated FOLTYN M22 lower right
- oil on canvas
- 124 by 110cm., 48¾ by 43¼in.
- 124 x 110 cm
Provenance
Estate of Milan Heidenreich, Gothenburg
Purchased from the above on 2 May 1998
Exhibited
Gothenburg, Passau, Salzburg & Graz, Tschechischer Kubismus, 1991, p. 191, illustrated
Greenwich, Connecticut, Bruce Museum, The Pleasures of Collecting: Part II, Modern and Contemporary Art, 2003
Birmingham, Alabama, Birmingham Museum of Art, Pražské noci / Prague Nights: Czech Modern Art from the Hascoe Collection, 2007
Literature
Jiří Hlušička, František Foltýn, Prague, 1982, p. 28, another version of the subject illustrated
Jiří Hlušička, The Hascoe Collection of Czech Modern Art, Prague, 2004, p. 28, mentioned; p. 190, no. P27, catalogued; p. 102, pl. 86, illustrated
The Moravian Gallery ed., František Foltýn, Brno, 2007, p. 27, another version of the subject illustrated
Catalogue Note
The multi-planar construction that Foltýn employs in Portrait of Dostoyevsky is typical of the artist's work from the 1920s. It has as its source the various progressions of Cubism, and its exploration of the relationship between an object and the space that it inhabits. Here, Foltýn's use of the Cubist idiom is, whilst angular, gentle in its bucolic lyricism, rather than hard-edged and urban. It recalls the painting of the Blaue Reiter group of Expressionists in Germany, particularly August Macke and Heinrich Campendonk and, relevant to the subject, bears similarities with the early work of Chagall (fig. 1).
Fig. 2. Marc Chagall, Over Vitebsk, 1915-20, Museum of Modern Art, New York Chagall ® / © ADAGP, Paris and DACS, London 2011