John Adam Plimmer Houston, RSA, RI

Sotheby's London, May 23, 1985, lot 190, illustrated

Original paper laid down on heavy paper, remenants of old mat and adhesive along edges, small loss to paper at lower left edge, 1 inch diagonal crease or possible tear at upper center. Work is affixed to mat board with archival corners.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Toward the end of the seventeenth century, the 6^th Earl of Dorset acquired an important collection of Stuart period furniture and textiles for his historic home of Knole, Kent.  Interiors like what has become known as "The Venetian Ambassador's Room" were intended to showcase the Earl's refined taste and wealth.  As depicted by John Adam Plimmer Houston in the present work the bed, armchairs, and stools are impressive examples of the Stuart baroque style (and still on view at Knole today). Despite the room's moniker, the bed decorated with Genoa velvet of green, gold and red was not made for a visiting dignitary but for James II in circa 1688, and is attributed to furniture maker Thomas Roberts (active 1685-1714). The suite of furniture came to Knole in 1701 soon after King James' exile to France.