Albert-Ernest Carrier-Belleuse

Together with a carved white marble pedestal decorated with fruiting garlands and a Doric capital.

Overall in good condition. Some losses to the green highlights on her costume. The ivory in very good condition, with no hairline cracks.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The resurgance of interest in the Medieval period, which was prevalent in France in the last quarter of the 19th century can clearly be seen in Carrier-Belleuse's rendition of La Liseuse. The contemplative stance of the figure dressed as a medieval lady with a short veil and pointed shoe has been rendered softer and more realistic by the skilful play of the drapery falling in soft pleats. The detailed foliate scrollwork borders of the gown, here accentuated with green highlights including the cuffs and interior of the collar as well as the hasp of the open book are typical of an attention to detail which owes much to Carrier-Belleuse's apprenticeship of three years as a goldsmith prior to his entry as a student in the École des Beaux-Arts with the aid of sponsorship from David D'Angers.