After Raffaello Sanzio, called Raphael

The canvas is unlined. A craquelure runs throughout the painting, and the paint shows the potential to lift in parts. However, the paint surface is otherwise in good condition and the detail and impasto of the painting is well-preserved. Some infilling work to the craquelure is visible to the naked eye, particularly in the table cloth, due to discolouration. There are some scuff marks across the Pope's chair, as are vaguely visible in the catalogue illustration. Inspection under UV light confirms the extensive infilling, and further reveals fairly extensive but fine and sensitive retouchings and strengthenings to the bell, the magnifying glass, the hands of those depicted, the chair, the Pope's red robes, the background and the face of the left hand sitter. The white robes, the bible and the faces of the Pope and the right hand nephew are largely original Offered in a gilt wood and plaster frame in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A 19th century copy after the original in the Uffizi (see P. de Vecchi, Raphael, Italy 2002, p. 230, fig. 226).