After Tiziano Vecellio, called Titian

The canvas is unlined. The paint surface is dirty and under an old, yellowed and uneven varnish. The work retains some impasto, most notably in the clothing of the figures depicted. There are no damages or areas of paint loss apparent, though the vertical weave of the canvas has become raised on the surface of the work in a few areas. Strengthenings to the figure in red to the right of the painting, and two of the figures in the left hand group are visible to the naked eye. Inspection under UV light, which is impeded by the varnish, confirms these strengthenings but reveals just a handful of scattered spot retouchings to the remainder of the work. Offered in a gilt wood and plaster frame in fair condition, with a few minor losses.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A 19th century copy after Titian's original in the Gallerie dell'Accademia in Venice (see H.E. Wethey, The Paintings of Titian, Volume I. The Religious Paintings, London 1969, p. 123, no. 87, reproduced plate 36).