coffret en acier damasquiné, Eibar ou Tolède, fin du XIXe siècle

de forme rectangulaire bombée, reposant sur quatre pieds boulles, décoré à la manière de  Placido Zuloaga en argent et vermeil, le couvercle orné d' armes flanquées de chérubins ailés sur un fond en acier poli embelli d'arabesques feuillagées, les côtés ornés également de chérubins sur un fond similaire, doublure en velours

The arms are those of Abella of Catalonia.

Associated literature:
James D. Lavin, The art and tradition of the Zuloagas, London, 1997, pp. 94/5, 202

Generally in excellent condition with a few minor problems. Firstly the casket would benefit from professional cleaning as there are patches of rusting on the polished ground; two silver balls missing on the coronet; small nut missing on key flap and lacking key itself; the casket does not currently open.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The 19th century saw an important revival in the role of the European art metalworker. Old techniques and styles were investigated and combined with increasing artistic and commercial success by artists such as Antoine Vechte, Jean-Valentin Morel and Antonio Cortelazzo.  At the time, perhaps the most renowned of these virtuosi was Placido Zuloaga (1833-1910), who succeeded to an established family business in the metalworking town of Eibar in the Basque country. The firm already specialised in the manufacture and decoration of armour and guns. Placido's knowledge and enthusiasm carried the firm to a new level by encouraging the production of damascened steel art-works, subsequently shown at most of the International Exhibitions. These items became known as much for their delicacy of design and excellence of workmanship as well as for the splendour of the larger pieces. Although this casket is not signed it bears similarities to Zuloaga's later works; unusual are the polished steel ground and the elaborate medallions with figure subjects.