Laurent Delvaux (1696-1778), Flemish, 18th century

monogrammed: H.. on the reverse and inscribed indistinctly in pencil: ... Mary ... 1889 on the chimney piece

Overall the condition of the marble is good. There is some minor wear and dirt to the surface consistent with age. There is faint veining visible on the surface and a few minor inclusions consistent with material. The relief has been set in the frame using metal rods. An area to the right of the relief on the reverse was filled with plaster. There are a few chips to the corners of the frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present relief compares closely to one of the prime versions of Delvaux' famous Mater Dolorosa (Royal Museums in Brussels, inv. no. 8962). All other examples illustrated by Jacobs (op. cit.) lack the refined striped pattern on the collar.

RELATED LITERATURE
A. Jacobs, Laurent Delvaux. Gand, 1696- Nivelles, 1778, Paris, 1999, pp. 399-403, nos. S197-205