Jean-Baptiste Regnault

The paper surface very slightly dirty, but generally very good condition. Sold in a carved and gilded frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This drawing is closely related to Regnault's painting (fig.1) which was exhibited at the Salon of 1799 and entered the collections of the Louvre in 1870.  A drawing of this subject was included in his studio sale in Paris, 1-5 March 1830.  The technique is similar to that of a drawing sold New York, Sotheby's, 13 January 1988, lot 271, which is related to his painting of The Judgement of Paris (now in Detroit).

After four years of study in Rome, Regnault returned to Paris where he had a successful career, surviving the changes in political mood and taste. He was a rival of David, maintaining a less radical and severe style.