Francesco Battaglioli

In the collection of the family of the present owner for at least four generations.

The painting is greener in tone than the catalogue illustration suggests. The canvas has been relined, and though the paint surface is a little sunken it retains its detail and colours. The paint surface is a little dirty and is under a slightly yellowed and uneven varnish. Retouchings to an old damage of approximately 3 by 5cm. in the centre of the upper margin have become a little discoloured, but no major damages to the work are apparent. Inspection under UV light confirms these retouchings and reveals a small number of old scattered retouchings to the sea and sky. Further retouchings may be masked by the aforementioned reflective varnish. Offered in a gilt wood frame in fair condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This capriccio was almost certainly executed during Battaglioli's sojourn in Madrid, where he was in the employ of King Ferdinand VI from 1754 to 1760. The following three lots, all of the same dimensions as the present painting, would seem to have been painted by Battaglioli's principal follower in Spain as part of a set to match the present work.