Lorenzo Pasinelli

The catalogue illustration is representative. The canvas has been recently relined, and the painting recently cleaned, restored and revarnished. The paint surface itself is in a satisfactory state of preservation. There are however a large number of small retouchings throughout and two restored damages both of which are in the lower left corner, one triangular shaped approximately 7 by 7 cm. and another smaller one immediately above it. The Virgin’s face is extensively retouched as are both her hands and to a lesser extent the angel’s face, chest and sleeve of his arm have also been retouched. There are some extensive spot retouchings throughout the upper background, though the central area remains largely untouched as does most of the lower half except near the very lower centre where there is another grouping of retouchings. Sold with a later plain gilt frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The attribution is due to Professors Daniele Benati and Andrea Emiliani. Professor Benati feels that some studio participation is evident in the figure of the putto upper left, while Professor Emiliani feels the painting is a wholly autograph youthful work datable circa 1655.