Andrea Piccinelli, called Andrea Brescianino

The support consists of a single stable flat panel cradled on the reverse. The painting has quite recently been cleaned and restored. Inspection under ultra violet light reveals meticulous but extensive retouchings throughout. The left arm of the Christ Child has been substantially repainted. The restoration has been well carried out and is not obtrusive and the painting will not require further attention. The varnish remains clear and even. Offered in an ornate carved and gilt wood in the Renaissance style in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Brescianino left his native Siena for Florence in around 1510 where he came into contact with the works of Raphael and Fra Bartolommeo, and later with those of Andrea del Sarto, who was to have a lasting influence on his work even after his return to Siena. Despite these outside influences his palette remained firmly rooted in the tradition of Domenico Beccafumi and the Sienese school. The tondo format is unusual in the artist's oeuvre.

We are grateful to Professor Filippo Todini for endorsing the attribution on the basis of a photograph.