- 309
Mendelssohn Bartholdy, Felix.
Description
- Autograph album-leaf containing drawings relating to the staging of Sophocles's Antigone in Berlin, and also an autograph musical quotation from one of the composer's most famous works, the 'Frühlingslied' for piano, Op.62 no.6, signed ("Felix Mendelssohn Bartholdy")
- ink on paper
...ab Curtain and line of Proscenium
cd Scene representing Palace
x Altar to Bacchus
aeb Orchestra 5' above the floor
ab 5' above the orchestra
fg,hi Steps leading to the stage
kl, mn Steps leading to the orchestra
yz The usual limit between the orchestra and the first rows of stalls
yopz Space for the instrumentalists [translation]
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
From the collection of Charlotte Moscheles, and never before now offered at auction.
This is a stunning album leaf, combining an autograph musical quotation from one of Mendelssohn's most celebrated works, the "Frühlingslied [Summer Song]", no.6 of Lieder ohne Worte, Op.62, with two drawings relating to the staging in Berlin in 1841 of Sophocles's Antigone, for which Mendelssohn had supplied the incidental music. The first performance of the play with Mendelssohn's music had taken place at the King's Palace in Potsdam on28 October 1841, before a select audience. Mendelssohn's drawings, one a bird's-eye view of the stage, the other a view from the auditorium - and both of great theatre-historical interest, relate to the later staging of the play in Berlin.