Lot 35
  • 35

Eduardo Chillida

Estimate
300,000 - 400,000 GBP
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Description

  • Eduardo Chillida
  • Helsinki
  • stamped with the artist's monogram
  • corten steel

  • 34 by 17 by 13cm.
  • 13 3/8 by 6 5/8 by 5 1/8 in.
  • Executed in 1991, this work is registered in the archives of Museo Chillida-Leku, Hernani under number 1991.031.

Provenance

Galerie Lelong, Zurich
Acquired directly from the above in 1991

Condition

Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is slightly brighter. Condition: This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

"The overlapping arms of this sculpture draw the energy inward. Each segment is in direct relationship to the other parts, touching at some point. The sculpture is self-contained: rounded forms gracefully envelop one another, holding the energy in an unseen interior space that is strongly felt, although difficult to access" (Dena Merriam describing the public sculpture Helsinki in: Giovanni Carandante, Eduardo Chillida, Cologne 1999, p. 274).

Intrinsic to Eduardo Chillida's eponymous, monumental and celebrated public sculpture that was executed and installed in Porthania Square in the Finnish capital in the same year, the present work contains much of the presence and power of its larger relative, while also operating on a more intimate and introspective scale. Consisting of corten, weathering steel, in which the beautiful oxidised patina protects the metal from corrosion, this sculpture was forged through colossal heat and pressure to curve the square-section lengths into lyrical harmony. The positive and negative space of the sculpture, and the way in which the forms seem both to compete against each other and resolve into unity creates a cycle of dissonance and cohesion. Created in the same year that the entire Martin Gropius Bau building in Berlin was devoted to a retrospective celebrating the artist, and the Kunsthalle in Basel staged an exhibition with works throughout the city, Helsinki possesses the hallmarks of an iconic sculptural language that is immediately recognisable and attributable to this legendary artist.