N08813

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Lot 45
  • 45

Issachar Ber Ryback

Estimate
15,000 - 20,000 USD
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Description

  • Issachar Ber Ryback
  • The Shadchan
  • signed I. Ryback (lower right)
  • oil on canvas
  • 18 1/8 by 15 1/4 in.
  • 46 by 38.7 cm.
  • Painted in Paris in 1932.

Provenance

Atelier 46 Rue d'Orsel, Paris

Condition

The canvas is unlined. The picture surface is in generally good condition aside from scattered craquelure. Under UV, there are no apparent signs of inpainting.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Born in the Ukraine in 1897, Ryback lived in Moscow in 1919-20, where he worked closely with the artists of the Russian avant-garde, in particular El Lissitsky, Pevsner and Gabo. In 1921, he moved to Berlin where he associated with Der Sturm. In 1925 he was invited back to Soviet Russia to design sets and costumes for the Moscow theater. He finally settled in Paris in 1926 where his artistic themes turned nostalgically to Russian Jewish shtetl life. In 1935, on the eve of his first large retrospective at Galerie Wildenstein, he suddenly died.

In a review published in La Presse Waldemar George commented: "Ryback is not a realist given to the interpretation of dramatic subjects. He is a visionary who transforms rags and tatters into sumptuous brocades. By virtue of his magical colours, human waifs are changed into kings of legend, the desolate sites of Eastern Europe glow with intense brilliance, and his muddy farmyard evoke a rich tapestry, woven with silken threads." (Waldemar George quoted in I. Ryback 1897-1935, exhibition catalogue, Bat Yam, 1963).