Lot 495
  • 495

An Italian terracotta allegorical figure of Summer, from the workshop of Filippo Della Valle (1698-1768), mid 18th century

Estimate
15,000 - 20,000 USD
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Description

  • terracotta

Condition

Overall surface abrasions and chipping. Restored breaks include: areas of base including back section and some rockwork in back; his neck; both hands and wrists; some of wheat. Surface has been covered in a buff-colored slip.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This charming rococo figure of Summer recalls the work of Camillo Rusconi and his four marbles depicting the Seasons, now in the Royal Collection at Windsor Castle. However, the treatment of the figure is closer to the work of his pupil Filippo Della Valle author of the tomb of Andrea Corsini in San Giovanni in Laterano, the relief of the Annunciation in the Roman church St. Ignatius, and the Visitation in the Chigi chapel of the Duomo in Siena, each of which incorporate  similar types of putti including the fleshy lips and  small eyes with large pupils and irises indicated with deeply incised lines. This piece also shares distinctive features with a terracotta model of a cherub by Della Valle in the Bode Museum, Berlin (Schlegel, op. cit., cat. no. 27, fig. 27).

Trained in the workshop of his uncle, the famous sculptor Giovanni Battista Foggini in Florence, Filippo della Valle (1698-1768) moved to Rome to work with Camillo Rusconi. In 1725 he won first prize with Pietro Bracci at the Academy St. Luke. He received orders from Pope Clement XII and Benedict XIV, and counted among his most famous sculptures of the Trevi Fountain in Rome.

RELATED LITERATURE

U. Schlegel, Die Italienischen Bildwerke des 17. und 18. Jahrhunderts, Staatliche Museeun, Berlin, 1978