- 319
Francesco Albani
Estimate
30,000 - 40,000 USD
bidding is closed
Description
- Francesco Albani
- Lamentation with the Virgin, St. John and Angels
- oil on copper
Condition
Copper plate is flat. The picture is under a thick varnish which may be rendering retouches underneath invisible. Visible under UV are a few tiny retouches in the hair of Christ, in the wings of the angel holding Christ, and a couple other small retouches which are mostly in the hair of the figures. Picture could benefit from a fresh varnish. In a carved wooden frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
We are grateful to Catherine Puglisi for confirming the attribution of the present painting to Albani, based on first hand inspection. Dr. Puglisi dates the picture to circa 1645-50.