- 99
A pair of Italian carved giltwood armchairs, in the manner of Bartolomeo Manghetti, Turin last quarter 18th Century
Description
- paint and walnut
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Comparative Literature:
Roberto Antonetto, Il Mobile Piemontese nel Settecento, Vo. I, p.397, fig. 2, for a related oval backed armchair by Manghetti, in the bedroom of the Viceroy of Sardinia, Castello di Masino, Caravino Turin.
G. Ferraris, Giuseppe Maria Bonzanigo e la scultura decorativa in legno a Torino nel periodo neoclassico (1770-1830),Turin,1991, p.133, 134 & 136, for a related armchairs by Bartolomeo Manghetti.
Bartolomeo Manghetti (active 1775-1792):
Manghetti originated from the Foresto municipality of Lombardy, before moving to Turin and was awarded maestro minusiere from the Università dei Minusieri on the 6th July 1786. Prior to this however, he already worked for the Royal House of Savoy, when in 1775, he made the carvings for trumeau at Castello di Moncalieri. Manghetti appeared to have been the main mobiliere documented for supplying furniture to the Viceroy of Sardinia–Carlo Francesco Valperga, Conte di Masino, when work began in 1780 renovating the interior and exterior of his city palace in Turin.