A George II mahogany side table circa 1740

with an associated marble top

The marble top is a modern replacement. Generally good overall condition. Minor age cracks to the tops of one leg and to one foot which do not significantly detract. Probably originally with a marble top but later fitted with a wooden top as there are screw holes to the frieze to attach a wooden top. Some replaced mouldings to the top edge which could be related to this previous top.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present table belongs to a small group of similarly conceived marble-topped tables, each distinguished by the use of the exceptionally fine mahogany crisply carved, and with fine detail. Each has the distinctive shall carving at the centre of the frieze and strongly formed cabriole legs either with claw and ball or hairy paw toes.  Of these, a pair, formerly at Langley Park, Norfolk, is the most distinguished, the frieze enriched with Greek key fretwork, the legs headed by shells rising into the frieze and with carved flower heads and leaves below. Another, formerly in the collection of the Earls of Poulett at Hinton House, Somerset, is almost again very similar to the present example, but has paw feet and a top inlaid with specimen marbles. Although neither of these is documented, a pair at Chevening House, Kent, ( Oliver Bracket, Old Furniture, Vol. 7, May-August 1929, p.72, fig. 5) has simialr friezes centred by shells but with square chamfered legs, were possibly supplied in the mid 1730s by William Bradshaw. Bradshaw ( fl.1728-d.1775) is first recorded at premises in Frith Street, wheich were formerly occupied by Joshua Morris the tapestry maker, a trade which Bradshaw seems to have continued in partnership with the artist Tobias Stranover. His other clients included Lord Folkestone at Longford Castle and the 1st Earl of Leicester at Holkham Hall.

For comparison see a closely related example sold Sotheby`s New York, A Celebration of the English Country House, 7th April 2004, lot 175, $187,000.