Lot 140
  • 140

A pair of two-tone gilt-bronze six-branch candelabra attributed to Pierre-Philippe Thomire Empire, circa 1815

Estimate
18,000 - 25,000 GBP
bidding is closed

Description

  • gilt-bronze
  • each 90cm. high; 2ft. 11in.
each in the form of Nike, the inside of the base incised LJ

Condition

In overall very good condition. Nice detail to casting.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Comparative Literature:
Marie-France Dupuy-Baylet, L'Heure le feu la lumière, les bronzes du Mobilier National 1800-1870, Dijon, 2010, for a similar pair of candelabra, pp. 258-259, no. 140.
H. Ottomeyer/P. Pröschel et al., Vergoldete Bronzen, Munich, 1986, vol. I, p. 328, fig. 5.2.1 and 5.2.2.

These impressive candelabra with two-tone gilding and superb quality casting and chasing with the winged figure of Victory are most probably inspired by a design for candelabra by the architect Charles Percier, which was part of a commission to furnish Empress Josephine's bedroom at the château de Saint-Cloud. The model is often associated with the oeuvre of Pierre-Philippe Thomire, the most celebrated bronzier of the Empire period. The quality of the casting and gilding would suggest that although not stamped by this maker, they can safely be attributed to him.  A related pair by him is in the Metropolitan Museum of Art, New York, illustrated  by H. Ottomeyer/P. Pröschel, op. cit., p. 328, fig. 5.2.4.