- 138
A large amaranth inlaid burrwood and marquetry library table attributed to Louis-François-Laurent Puteaux Charles X, circa 1830
Description
- amaranth, burrwood
- 83.5cm. high, 263cm. wide, 84cm deep; 2ft. 8¾in., 8ft. 7½in., 2ft. 9in.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Comparative Literature:
Anne Forray-Carlier, Le Mobilier du Musée Carnavalet, Dijon, 2000, pp. 258-265
D. Ledoux-Lebard, Le Mobilier Français du XIXe siècle, Paris, 1989, pp. 533-534.
This table is rare for its size and quality of craftsmanship in terms of the inlay, veneer and design. It is very closely related to pieces by Louis-Francois-Laurent Puteaux, circa 1830, in the Musée Carnavalet, Paris and illustrated by Forray-Carlier, op. cit., nos. 98, pp. 258-261 and no. 99, pp. 262-265.
Louis-François-Laurent Puteaux (1760-1864):
There are few details known about this maker other than that he was born in Yonne at Chéroy and is recorded in Paris in 1812 for the first time, where he tried to bring his work to the attention of the Garde Meuble but without success. It was not until the Restauration with his exhibiting at the International Exhibitions, which he participated in regularly, that he provided several pieces of furniture for the Crown. From 1830, he stopped making furniture and dedicated himself to more of an industrial type of furniture making and property development. He died in 1864 and left behind a few pieces testimony to a brief artistic career which satisfied the necessities of the time; the use of indigenous woods as a result of the continental blockade of goods and the execution of elegant forms appropriate to the use of the furniture. Puteaux was often recognised by the jury at the Exhibitions:in 1819, and in 1823 he received a bronze medal recognising the very high quality of his marquetry