Lot 119
  • 119

A jewelled gold and enamel musical harp and watch, Joseph Weichberger, Vienna, late 19th Century,

Estimate
5,000 - 7,000 GBP
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Description

  • enamelled gold
  • height 9cm, 3 1/2 in
each gold string topped by a rose diamond pin, the sound box painted en plein with trophies and figures and containing an earlier verge watch movement, numbered: 2716, below a hinged compartment, the base drum pierced and containing an associated musical movement, on four scroll supports, otherwise decorated overall in brightly-coloured taille d'épargne enamels with leaves, spirals and lozenge motifs

Provenance

Anonymous vendor, Sotheby's London, 28 February 1991, lot 151

Condition

Sotheby's do not guarantee the musical or watch movements. Both movements are currently functioning although the musical movement is somewhat tentative as it does not wind properly and needs repair. The pins closing the drum have been replaced with metal screws. There have been small restorations to the blue taille d'epargne enamels on drum and borders. Keys are lacking.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Josef, son of Josef Weichberger Senior (goldworker 1845-1881) and his wife Maria Lixl, is recorded as active between 1883 and 1899. As 'Pretiosen-Schätzmeister', he is described in 1889 with a studio specialising in gold and enamel objects of vertu. At that date he was working at 6b Kaunitzgasse, Vienna VI (MAK, Wiener Gold- und Silberschmiede, 2005).

For a very similar Viennese enamel harp, apparently unmarked, from the Bloch-Bauer collection, see Elisabeth Sturm-Bednarczyk, Phantasie-Uhren, Vienna, 2002, no. 62.