A pair of early Victorian giltwood and upholstered settees 2nd quarter 19th century

in the manner of Henry Whitaker, with padded green silk backs, seats and bolster cushions

In excellent restored condition. Very small and minor chips to later gilding at a couple of extremeties. Upholstery good and ready to use. Height to back 98cm.; 3ft. 2½in. Widest point 122cm.; 4ft. Height to seat-rail 33cm.; 1ft. 1in. Depth 61cm.; 2ft.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Henry Whitaker was an influential designer of the second quarter of the nineteenth century. In 1825 he published Designs of Cabinet and Upholstery Furniture in the Most Modern Style in which according to Edward Joy, ` the current classical forms begin to show a tendency towards elaborate ornament in rather heavily carved foliate scroll work''. In 1827 he published Five Etchings from Antique, which reinforced his classical credentials. The Practical Cabinet-maker and Upholsterer`s Treasury of Designs, of 1847 is a fascinating insight into fashionable styles just before the Great Exhibition of 1851. It also highlights the range of styles Whitaker employed and indeed the eclectic nature of the age. Whitaker executed designs for an impressive array of clients, including Queen Victoria at Osborne, the Marquis of Exeter, and the Dukes of Devonshire and Northumberland. The present lot typifies the style of his work.