- 180
Calder, Alexander
Description
- ink on paper
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Jane DeTomasi (1897–1984) was a Long Island artist who was a close friend of Alexander Calder and his family for over thirty years. She was the daughter of geneticist Charles Davenport. Her first husband was biologist Reginald Harris, and her second was explorer, chemist and musician James DeTomasi. DeTomasi first studied art in Chicago, then in Paris under Antoine Bourdelle. It was Calder, however, who was to be the most significant influence on her art.
The collection comprises:
Calder, Alexander. 30 autograph letters signed ("Sandy"), 43 pages (11 x 8 1/2 in.; 279 x 216 mm), Roxbury, CT, Paris, Saché (Indre et Loire) and other places, 4 July 1941–1 January 1976; condition varies, but mostly good. Most with autograph envelopes — 15 autograph postcards signed ("Sandy"), some with alterations to the images by Calder, one with original drawing of a fish, another with a collage of a pink pig, v.p., v.d. Also included are photographs of Calder, Christmas cards, a telegram, correspendence between DeTomasi and several museums concerning loans of Calder art for exhibitions, numerous brochures and notices for Calder exhibitions, newspaper clippings.
In this fine group of letters Calder discusses various exhibitions and projects, including designing a sculpture for a Philip Johnson building in Ft. Worth, installing a mobile at Idlewild Airport, planning exhibitions in Caracas and Basle, painting an airplane for Braniff Airlines, etc. The letters also offer warm glimpses into Calder's family life, both in Connecticut and France. One of the most amusing letters is a an account of a family road trip through the French countryside, written in the form of a dialogue (16 September 1953). In addition the letters deal with practical matters: cars to be looked after in Connecticut while the family is in France, Christmas visits scheduled in August, arrivals at Idlewild, checks to be picked up from New York galleries.
A fine archive giving an intimate glimpse into the life and work of a 20th-century master.