Stella, Frank

Keeneland Sales. [Catalogues for 17-18 November 1978 and 15-17 January 1979]. Lexington, Kentucky: Keeneland, 1978



3 volumes, 8vo (8 1/2 x 5 1/2 in.; 215 140 mm); lightly browned, some ink annotations, agent authorization form clipped from volume 1. Wrappers and endpapers of each volume decorated by Frank Stella in acrylic paints; upper joints of two covers cracked, 1-inch tear in upper joint of volume 3 torn.

See Fatima S. Parsons, "Stella: Star Superstar" in Art Investor (2004), p. 44

lightly browned, some ink annotations, agent authorization form clipped from volume 1. upper joints of two covers cracked, 1 inch tear in upper joint of volume 3 torn.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

"I love horses, horseracing and betting on horses" (quoted in Parsons).

Frank Stella's fame in the world of art is legendary; less known is his passion for horses, racing, and breeding. The artist breeds his own race horses at his ranch in Connecticut. In 1978 he attended the prestigious Keeneland Thoroughbred auctions with his friend and advisor Harold Snowden. Snowden was a well-known Kentucky owner, breeder, and a former director of the Kentucky Racing Commission.

A catalogue was published for the November and January sales and houseguest Stella spent his evenings drawing and painting on a small scale, using the catalogues as an improvised resource. The painted catalogues were presented to the artist's host. Although Stella was reticent to sign the volumes, Snowden insisted by playfully suggesting that he may not advise the artist at future sales. Stella agreed to sign and dedicate the volumes to Snowden.