Jean-Baptiste Carpeaux

Overall the condition of the marble is good. There is some yellowing of the marble to the end of one lock of hair and the big toe of the proper right foot, where ther may have been restoration. There are some chips to the hair and some general minor wear and dirt to the surface consistent with age. There is a naturally occuring vein to the proper right cheek.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Suzanne surprise was one of Carpeaux's final works. The original plaster model, which featured in the 1913 Carpeaux sale, is signed and dated 1872. The model belongs to the series of expressive, almost wind-swept, figures and groups by the sculptor which include the Genie de la Danse, La Ville de Valenciennes défendant la patrie and Frère et soeur. Suzanne surprise was edited by the atelier Carpeaux in terracotta, bronze and marble. According to Poletti and Richarme it appears not to have been given a posthumous edition by Susse. The number of models produced in all three materials was limited. Versions in marble are particularly rare.  

RELATED LITERATURE
M. Poletti and A. Richarme, Jean-Baptiste Carpeaux Sculpteur, Paris, 2003, p. 96-97, no. SE 19