L11104

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Lot 60
  • 60

Frits Thaulow

Estimate
20,000 - 30,000 GBP
bidding is closed

Description

  • Frits Thaulow
  • The Pont Marie, Paris
  • signed and dated Frits Thaulow 93 lower right
  • oil on canvas
  • 65 by 81cm., 25½ by 32in.

Exhibited

Possibly Paris, Salon du Champ-de-Mars, 1893

Condition

Original canvas. There is some retouching visible under ultraviolet light, notably along a 13cm horizontal repaired tear in the boat in the middle distance, and at the extreme upper edge addressing frame rubbing, and some hairline craquelure in the water visible only under close inspection. Apart from some light surface dirt, the work is ready to hang. Held in a decorative gold-painted rococo-style wood and plaster frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Thaulow went to Paris in November 1892, renting an apartment at 5 rue de Bellay on the Île-Saint-Louis, near the Pont Marie. During this period he conceived the series La Seine en novembre-décembre-janvier-février-mars, with a different view of the Seine near the île for each month.

The present work, looking westward from the rive gauche, dates from this period. The five views, which may have included this version, were submitted to the Salon du Champ-de-Mars that year, and were well received by the critics.