Lot 147
  • 147

Kenneth Noland

Estimate
250,000 - 350,000 USD
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Description

  • Kenneth Noland
  • Apart
  • signed, titled and dated 1965 on the reverse

  • acrylic on canvas
  • 99 by 99 in. 252 by 252 cm.

Provenance

Estate of the Artist
Private Collection, Boulder
Margo Leavin Gallery, Los Angeles
Private Collection, London
Salander-O'Reilly Galleries, New York
Adelson Galleries, New York
Ameringer-Yohe Fine Art, New York
Acquired by the present owner from the above

Exhibited

Houston, Museum of Fine Art, Kenneth Noland: The Nature of Color, November 2004 - March 2005, p. 33, illustrated in color
Enschede, Netherlands, Rijksmuseum Twenthe, Abstract USA 1958 - 1968: In the Galleries, September 2010 - February 2011, cat. no. 19, p. 56, illustrated in color

Condition

This work is in very good condition overall. There are some scattered surface accretions which floresce brightly under ultraviolet light inspection primarily located in the maroon painted area. Under ultraviolet light inspection, there is no evidence of restoration. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"The question we always discussed was what to make art about.  We didn't want anything symbolic like say, Gottlieb, or geometric in the old sense of Albers.  The Abstract Expressionists painted the appearance or symbol of action, the depiction of gesture.  We wanted the appearance to be the result of the process of making it- not necessarily to look like a gesture, but to be the result of real handling." - Kenneth Noland