Lot 34
  • 34

Farhad Moshiri

Estimate
100,000 - 150,000 GBP
bidding is closed

Description

  • Farhad Moshiri
  • Space Station
  • signed and dated 2006 twice
  • sequins, beads and embroidery on canvas

Provenance

Acquired directly from the artist by the present owner in 2007

Condition

Condition: In good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

One of Farhad Moshiri's most striking hand-embroidered works to come to public auction, Space Station epitomises his experimentation in juxtaposing the crafts of Iran with the modernity of the West.

By utilising a material and a technique that is so inherently Iranian, Moshiri pushes the boundaries of the medium by contrasting the traditional with the modern. The ostentatious craft of hand embroidery was traditionally used for ornamentation and decoration of textiles. In this work, Moshiri turns this notion on its head and challenges the technique by offsetting it against a scientific composition. The application of embroidery is a technique which is traditionally associated with women and so in another twist, Moshiri has co-opted it and brought into a male-dominated domain.

Space Station was first shown in conjunction with a series called Treasures of Persia, the genesis of a seminal phase in Moshiri's work when he began to experiment with the juxtaposition of tradition and modernity, contrasting materials and subject matter. These works included compositions with computers and robots embellished with shiny and glamorous beads and sequins. In the present work, Moshiri is attempting to represent the new Iranian identity; aspirational and courageous with ambitions based in technology, science and medicine.

Space Station is the first of a series which Moshiri worked on with the determination to make the hand-embroidered canvases larger and more elaborate. This unique work epitomises what Moshiri has endeavoured to achieve throughout his artistic career; a combination of and balance between his native culture with its deep-rooted traditions and the advent of a mechanised and industrialised way of life disseminated from the West.

The proceeds of this work will be sold to benefit the Bidoun Projects charity.