- 4
Zhang Daqian (Chang Dai-Chien, 1899-1983) Lotus and Mandarin Ducks
估價
15,000,000 - 20,000,000 HKD
Log in to view results
招標截止
描述
- Zhang Daqian (Chang Dai-chien, 1899-1983)
- Lotus and Mandarin Ducks
- ink and colour on paper, hanging scroll
signed DAQIAN ZHANG YUAN, dated ding hai, 1947, spring, titled, with a dedication to Mr and Mrs Kao Ling-mei, two seals of the artist, and two collector's seals of Kao, including one on the titleslip. Titleslip by Kao
展覽
France, Paris, Musee d'Art Moderne de la Ville de Paris, Tchang Ta Ts'ien, Juin-Juillet 1956, exhibit no.14
Singapore, Victoria Memorial Hall, Exhibition of Paintings by Chang Dai-Chien, 12-17 March 1963Malaya, Kuala Lumpur, Dewan Bahasa Dan Pustaka, Exhibition of Paintings by Chang Dai-Chien, 24-30 June 1963Malaya, Ipoh, Ku Kong Chow Kung Wai, Exhibition of Paintings by Chang Dai-Chien, 9-16 November 1963
Malaya, Penang, Penang Museum, Exhibition of Paintings by Chang Dai-Chien, 20-29 December 1963
Thailand, Bangkok, Kai Shou Hall & Metropolitan Bank, Exhibition of Paintings by Chang Dai-Chien, 12-25 September 1964
Thailand, Haadyai, Hakkas Association Auditorium, Exhibition of Paintings by Chang Dai-Chien, 2-8 February 1965
U.S.A., San Francisco, Center of Asian Culture, The Avery Brundage Collection, Chang Dai-Chien: A Retrospective, 16 November-17 December 1972, Plate XXVI
Hong Kong, The Chinese University of Hong Kong, Art Gallery, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 17 April-23 May 1993
Japan, Tokyo, Shoto Museum of Art, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 5 April-21 May 1995
Singapore, Singapore Art Museum, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 28 February-27 April 1997
Singapore, Victoria Memorial Hall, Exhibition of Paintings by Chang Dai-Chien, 12-17 March 1963Malaya, Kuala Lumpur, Dewan Bahasa Dan Pustaka, Exhibition of Paintings by Chang Dai-Chien, 24-30 June 1963Malaya, Ipoh, Ku Kong Chow Kung Wai, Exhibition of Paintings by Chang Dai-Chien, 9-16 November 1963
Malaya, Penang, Penang Museum, Exhibition of Paintings by Chang Dai-Chien, 20-29 December 1963
Thailand, Bangkok, Kai Shou Hall & Metropolitan Bank, Exhibition of Paintings by Chang Dai-Chien, 12-25 September 1964
Thailand, Haadyai, Hakkas Association Auditorium, Exhibition of Paintings by Chang Dai-Chien, 2-8 February 1965
U.S.A., San Francisco, Center of Asian Culture, The Avery Brundage Collection, Chang Dai-Chien: A Retrospective, 16 November-17 December 1972, Plate XXVI
Hong Kong, The Chinese University of Hong Kong, Art Gallery, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 17 April-23 May 1993
Japan, Tokyo, Shoto Museum of Art, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 5 April-21 May 1995
Singapore, Singapore Art Museum, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 28 February-27 April 1997
出版
Chinese Paintings with the original Paintings & Discourses on Chinese Art By Professor Chang Da-chien, edited by Kao Ling-mei, East Art Co., Hong Kong, February 1961, p.29
Exhibition of Paintings by Chang Dai-Chien, exhibition catalogue, East Art Co., Hong Kong, March 1963, Singapore exhibit no.81
Exhibition of Paintings by Chang Dai-Chien, exhibition catalogue, East Art Co., Hong Kong, June 1963, Kuala Lumpur exhibit no.81
Exhibition of Paintings by Chang Dai-Chien, exhibition catalogue, East Art Co., Hong Kong, November 1963, Ipoh exhibit no.81
Exhibition of Paintings by Chang Dai-Chien, exhibition catalogue, East Art Co., Hong Kong, December 1963, Penang exhibit no.81
Exhibition of Paintings by Chang Dai-Chien, exhibition catalogue, East Art Co., Hong Kong, September 1964, Bangkok exhibit no.81
Exhibition of Paintings by Chang Dai-Chien, exhibition catalogue, East Art Co., Hong Kong, February 1965, Haadyai exhibit no.81
Chang Dai-chien: A Retrospective Exhibition, exhibition catalogue, Center of Asian Art and Culture, San Francisco, 1972, pl.26
On Zhang Daqian's Paintings, Shanghai Calligraphy and Painting Society, November 1986, p.74
Research on Zhang Daqian's Paintings, written by Ba Dong, Fine Arts Research Institute, National Taiwan Normal University, May 1987, pl.68
Chinese Painting by Chang Da-chien, Art Book Co. Ltd., Taipei, 1988, pl.37
Drawing Lotus, Art Book Co. Ltd, Taipei, 1992, pl.24
The Mei Yun Tang Collection of Paintings by Chang Dai-chien, edited by Kao Mayching, The Chinese University of Hong Kong Art Gallery, Hong Kong, 1993, pl.42
"Nexus between Past and Present", written by Kao Mayching, published in Twenty-First Century, issue No. 17, June 1993, p.50
"The Paintings of Zhang Daqian (Chang Dai-Chien): Unity of Tradition and Modernity", written by Kao Mayching, published in Arts of Asia, May-June 1994, cover
The Mei Yun Tang Collection of Paintings by Chang Dai-chien, Shoto Museum of Art, Japan, 1995, pl.41
Panorama Magazine, issue 259, Panorama Publishing Co. Ltd., Hong Kong, June 1, 1995, back cover
The Art of Chang Dai-chien, written by Ba Tong, National Museum of History, Taipei, December 1996, colour pl.32
Exhibition of Paintings by Chang Dai-Chien, exhibition catalogue, East Art Co., Hong Kong, March 1963, Singapore exhibit no.81
Exhibition of Paintings by Chang Dai-Chien, exhibition catalogue, East Art Co., Hong Kong, June 1963, Kuala Lumpur exhibit no.81
Exhibition of Paintings by Chang Dai-Chien, exhibition catalogue, East Art Co., Hong Kong, November 1963, Ipoh exhibit no.81
Exhibition of Paintings by Chang Dai-Chien, exhibition catalogue, East Art Co., Hong Kong, December 1963, Penang exhibit no.81
Exhibition of Paintings by Chang Dai-Chien, exhibition catalogue, East Art Co., Hong Kong, September 1964, Bangkok exhibit no.81
Exhibition of Paintings by Chang Dai-Chien, exhibition catalogue, East Art Co., Hong Kong, February 1965, Haadyai exhibit no.81
Chang Dai-chien: A Retrospective Exhibition, exhibition catalogue, Center of Asian Art and Culture, San Francisco, 1972, pl.26
On Zhang Daqian's Paintings, Shanghai Calligraphy and Painting Society, November 1986, p.74
Research on Zhang Daqian's Paintings, written by Ba Dong, Fine Arts Research Institute, National Taiwan Normal University, May 1987, pl.68
Chinese Painting by Chang Da-chien, Art Book Co. Ltd., Taipei, 1988, pl.37
Drawing Lotus, Art Book Co. Ltd, Taipei, 1992, pl.24
The Mei Yun Tang Collection of Paintings by Chang Dai-chien, edited by Kao Mayching, The Chinese University of Hong Kong Art Gallery, Hong Kong, 1993, pl.42
"Nexus between Past and Present", written by Kao Mayching, published in Twenty-First Century, issue No. 17, June 1993, p.50
"The Paintings of Zhang Daqian (Chang Dai-Chien): Unity of Tradition and Modernity", written by Kao Mayching, published in Arts of Asia, May-June 1994, cover
The Mei Yun Tang Collection of Paintings by Chang Dai-chien, Shoto Museum of Art, Japan, 1995, pl.41
Panorama Magazine, issue 259, Panorama Publishing Co. Ltd., Hong Kong, June 1, 1995, back cover
The Art of Chang Dai-chien, written by Ba Tong, National Museum of History, Taipei, December 1996, colour pl.32
Condition
- Small old paper cracks could be found on the painting.
- Minor loss of paint could be seen along old paper creases.
- Loss of white pigment could be seen at the lower centre of the painting due to age.
- Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
梅雲堂藏張大千畫
張大千 嘉耦圖 設色紙本 立軸 一九四七年作
高嶺梅題簽
簽條:
嘉耦圖。大千八哥無上神品。嶺梅珍藏。
款識:
嶺梅老弟、雲白夫人囑寫,即希儷正。
嘉耦圖。
丁亥之春擬吾蜀黄要叔筆。大千張爰。
鈐印:「張爰之印」、「大千」。
藏印:「嶺梅珍藏」、「高」(鈐於簽條)。
展覽:
法國,巴黎,巴黎市立現代美術館,〈張大千:中國畫家〉,一九五六年六月至七月
新加坡,維多利亞紀念堂,〈張大千畫展〉,一九六三年三月十二日至十七日
馬來亞,吉隆坡,語文局,〈張大千畫展〉,一九六三年六月二十四日至七月二日
馬來亞,怡保,古岡州公會,〈張大千畫展〉,一九六三年十一月九日至十六日
馬來亞,檳城,檳城博物院,〈張大千畫展〉,一九六三年十二月二十日至二十九日
泰國,曼谷,介壽堂及京華銀行,〈張大千畫展〉,一九六四年九月十二日至二十五日
泰國,合艾,客屬會館,〈張大千畫展〉,一九六五年二月二日至八日
美國,三藩市,砥昂博物館,〈張大千四十年回顧展〉,一九七二年十一月十六日至十二月十七日
香港,香港中文大學文物館,〈梅雲堂藏張大千畫〉,一九九三年四月十七日至五月二十三日
日本,東京,涉谷區立松濤美術館,〈香港·梅雲堂所藏張大千之繪畫〉,一九九五年四月五日至五月二十一日
新加坡,新加坡美術館,〈梅雲堂藏張大千畫〉,一九九七年二月二十八日至四月二十七日
著錄:
〈張大千畫〉(香港,東方藝術公司,一九六一年二月初版),頁29
〈張大千畫展〉(香港,東方藝術公司,一九六三年三月),新加坡展品目錄編號81
〈張大千畫展〉(香港,東方藝術公司,一九六三年六月),吉隆坡展品目錄編號81
〈張大千畫展〉(香港,東方藝術公司,一九六三年十一月),怡保展品目錄編號81
〈張大千畫展〉(香港,東方藝術公司,一九六三年十二月),檳城展品目錄編號81
〈張大千畫展〉(香港,東方藝術公司,一九六四年九月),曼谷展品目錄編號81
〈張大千畫展〉(香港,東方藝術公司,一九六五年二月),合艾展品目錄編號81
〈張大千四十年回顧展〉目錄(三藩市,亞洲藝術及文化中心,一九七二年),圖版26
〈張大千畫說〉(上海書畫出版社,一九八六年十一月),頁74
〈張大千繪畫藝術之研究〉,巴東撰(台北,國立台灣師範大學美術研究所,一九八七年),作品編年圖版編號68
〈張大千畫〉(台北,藝術圖書公司,一九八八年),圖版37
〈畫荷花〉(台北,藝術圖書公司,一九九二年),頁24
〈梅雲堂藏張大千畫〉目錄,高美慶編(香港,香港中文大學文物館,一九九三年),圖版42
〈不負古人告後人—張大千的繪畫藝術〉,高美慶著〈二十一世紀〉,第17 期(一九九三年六月),頁50
〈融匯傳統與現代的張大千〉,高美慶著,刋載於〈亞洲藝術〉(一九九四年五至六月),封面
〈香港·梅雲堂所藏張大千之繪畫〉目錄(日本,涉谷區立松濤美術館,一九九五年),圖版41
〈大成〉雜誌,第259 期(香港,大成出版社,一九九五年六月一日),封底
〈張大千研究〉,巴東著(台北,國立歷史博物館,一九九六年十二月),彩色圖版32
「至於『梅雲堂』所藏花鳥畫的代表作,當推一九四七年的大中堂〈嘉耦圖〉。此圖取題寓意佳偶天成,深為雙親所愛,大千世丈亦許為得意之作,選入一九七二年在美國舉行的〈四十年回顧展〉。此畫雖云倣五代黃荃(約903-965),卻極有創意。畫中精工細緻的描金朱荷,在墨綠漬染的田田茂葉的襯托下,富麗堂皇而不沾匠俗之氣。濃蔭中的雙棲鴛鴦,色彩斑斕,悠然自得。全畫氣度宏大,層次井然,不愧為平生力作。」
─ 摘錄自高美慶〈梅雲堂藏張大千畫概說〉
張大千 嘉耦圖 設色紙本 立軸 一九四七年作
高嶺梅題簽
簽條:
嘉耦圖。大千八哥無上神品。嶺梅珍藏。
款識:
嶺梅老弟、雲白夫人囑寫,即希儷正。
嘉耦圖。
丁亥之春擬吾蜀黄要叔筆。大千張爰。
鈐印:「張爰之印」、「大千」。
藏印:「嶺梅珍藏」、「高」(鈐於簽條)。
展覽:
法國,巴黎,巴黎市立現代美術館,〈張大千:中國畫家〉,一九五六年六月至七月
新加坡,維多利亞紀念堂,〈張大千畫展〉,一九六三年三月十二日至十七日
馬來亞,吉隆坡,語文局,〈張大千畫展〉,一九六三年六月二十四日至七月二日
馬來亞,怡保,古岡州公會,〈張大千畫展〉,一九六三年十一月九日至十六日
馬來亞,檳城,檳城博物院,〈張大千畫展〉,一九六三年十二月二十日至二十九日
泰國,曼谷,介壽堂及京華銀行,〈張大千畫展〉,一九六四年九月十二日至二十五日
泰國,合艾,客屬會館,〈張大千畫展〉,一九六五年二月二日至八日
美國,三藩市,砥昂博物館,〈張大千四十年回顧展〉,一九七二年十一月十六日至十二月十七日
香港,香港中文大學文物館,〈梅雲堂藏張大千畫〉,一九九三年四月十七日至五月二十三日
日本,東京,涉谷區立松濤美術館,〈香港·梅雲堂所藏張大千之繪畫〉,一九九五年四月五日至五月二十一日
新加坡,新加坡美術館,〈梅雲堂藏張大千畫〉,一九九七年二月二十八日至四月二十七日
著錄:
〈張大千畫〉(香港,東方藝術公司,一九六一年二月初版),頁29
〈張大千畫展〉(香港,東方藝術公司,一九六三年三月),新加坡展品目錄編號81
〈張大千畫展〉(香港,東方藝術公司,一九六三年六月),吉隆坡展品目錄編號81
〈張大千畫展〉(香港,東方藝術公司,一九六三年十一月),怡保展品目錄編號81
〈張大千畫展〉(香港,東方藝術公司,一九六三年十二月),檳城展品目錄編號81
〈張大千畫展〉(香港,東方藝術公司,一九六四年九月),曼谷展品目錄編號81
〈張大千畫展〉(香港,東方藝術公司,一九六五年二月),合艾展品目錄編號81
〈張大千四十年回顧展〉目錄(三藩市,亞洲藝術及文化中心,一九七二年),圖版26
〈張大千畫說〉(上海書畫出版社,一九八六年十一月),頁74
〈張大千繪畫藝術之研究〉,巴東撰(台北,國立台灣師範大學美術研究所,一九八七年),作品編年圖版編號68
〈張大千畫〉(台北,藝術圖書公司,一九八八年),圖版37
〈畫荷花〉(台北,藝術圖書公司,一九九二年),頁24
〈梅雲堂藏張大千畫〉目錄,高美慶編(香港,香港中文大學文物館,一九九三年),圖版42
〈不負古人告後人—張大千的繪畫藝術〉,高美慶著〈二十一世紀〉,第17 期(一九九三年六月),頁50
〈融匯傳統與現代的張大千〉,高美慶著,刋載於〈亞洲藝術〉(一九九四年五至六月),封面
〈香港·梅雲堂所藏張大千之繪畫〉目錄(日本,涉谷區立松濤美術館,一九九五年),圖版41
〈大成〉雜誌,第259 期(香港,大成出版社,一九九五年六月一日),封底
〈張大千研究〉,巴東著(台北,國立歷史博物館,一九九六年十二月),彩色圖版32
「至於『梅雲堂』所藏花鳥畫的代表作,當推一九四七年的大中堂〈嘉耦圖〉。此圖取題寓意佳偶天成,深為雙親所愛,大千世丈亦許為得意之作,選入一九七二年在美國舉行的〈四十年回顧展〉。此畫雖云倣五代黃荃(約903-965),卻極有創意。畫中精工細緻的描金朱荷,在墨綠漬染的田田茂葉的襯托下,富麗堂皇而不沾匠俗之氣。濃蔭中的雙棲鴛鴦,色彩斑斕,悠然自得。全畫氣度宏大,層次井然,不愧為平生力作。」
─ 摘錄自高美慶〈梅雲堂藏張大千畫概說〉