- 3160
A FINE DOUCAI 'THREE FRIENDS' JAR MARK AND PERIOD OF KANGXI
Description
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Kangxi period jars decorated with this charming decoration in the doucai palette are extremely rare. A closely related example from the collections of C. Oswald Liddell, Charles E. Russell, and Paul and Helen Bernat, illustrated in Soame Jenyns, Later Chinese Porcelain. The Ch'ing Dynasty, London, 1951, pl. XLVIII A, and included in the exhibition Bones of Jade, Soul of Ice: The Flowering Plum in Chinese Art, Yale University Art Gallery, New Haven, Connecticut, 1985, cat. no. 73, was last sold in these rooms, 15th November 1988, lot 17. A Yongzheng version of this jar, with a reign mark and of the period, was sold in our London rooms, 25th March 1975, lot 277. Yongzheng blue and white jarlets of this form and subject are more commonly known, for example see one included in the Hong Kong Oriental Society exhibition Chinese Blue and White Porcelain, City Museum and Art Gallery, Hong Kong, 1975, cat. no. 108; and another illustrated in Ma Xigwai (ed.), Beauty of Ceramics. Blue and White Porcelain, Taipei, 1993, pl. 131.
The pine, bamboo and plum trees comprise the 'Three Friends of Winter', as the pine and bamboo remain green throughout the cold winter while the plum tree is the first to blossom each year. These three plants are representative of fortitude and uprightness in adverse conditions, as well as symbolic of longevity. The origin of the term is found as early as the writings of the Song loyalist Lin Chingxi (1241-1310), and was a popular decorative motif from the Yuan dynasty (1279-1368).