FOUR METALWORK PIECES, MADHYA PRADESH AND ORISSA, INDIA, CIRCA 1900

A. A figure of a caparisonned elephant ridden by a deity
B. A figure of four chickens perched on a beam raised on a conical footed base
C. A grain measure with side loop for suspension
D. A broad open basket

A. earthy patination, traces of colour, minor defects from the casting process B. retaining rods for hens feet missing, some wear and rusting C. some wear D. some wear and losses around casting flaws As viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The villages in the region of Bastar, in Madhya Pradesh, are renowned for their production of metalwork objects for a variety of purposes. Typically, the works employ a technique, called dhokra, in which metal strands are laid over a core, usually in parallel though sometimes crossed. In contrast, works made by the Kutia Kondh in Orissa, use a tight-fitting web of wire mesh as displayed on the group of hens in this lot. The Orissan technique tends toward a more simplified effect but this reductive approach can lead to a more essential result.