Lot 161
  • 161

Rama's battle wagon, South India, Southern Andhra Pradesh, mid-18th cenetury

Estimate
300 - 400 GBP
Log in to view results
bidding is closed

Description

  • Ink and watercolour on paper
  • 8 1/4 x 5 7/8 inches
Ink and watercolour on paper, Telegu inscription at top edge

Exhibited

Indian Drawings and Painted Sketches, 16th through 19th centuries, Asia House Gallery, New York; Fogg Art Museum, Cambridge; Asian Art Museum of San Francisco; the Avery Brundage Collection, 1976

Literature

Welch 1976, p. 29, no.
Zebrowski 1983, p. 221, no. 192

Condition

Significant losses to the outer edges of the paper, laid down on linen. As viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

This illustration is painted in the distinctive South Indian style characterised by black outlines enclosing thin washes of colour typically in red and green. Strong parallels exist between these paintings and 17th century South Indian painted textiles (Gittinger 1982, pp.89-125). Very little is known about South Indian book painting due to the majority of manuscripts remaining in devout hands, however this illustration relates closely to a Ramayana manuscript in the State Museum, Hyderabad. Jagdish Mittal, who studied and dated the manuscript to the mid 18th century, attributed it to Southern Andhra, "probably from Anantapur, Chittoor, Cuddapah, or Nellore districts" (Mittal 1969, p. 36). The manuscript was produced by Telugu-speaking Reddi and Vallama castes who were descendants of the region's pre-Islamic rulers. The area south of the Krishna River and the Andhra coast east of Hyderabad was a Hindu stronghold.

In the catalogue accompanying the 1976 exhibition Indian Drawings and Painted Sketches, 16th through 19th centuries, Cary Welch described the painting as follows:
"arrows zing through the air, wounding and killing many, who pile up at the bottom of the page. Others boldly shoot arrows or find shelter behind the wagon's housing. The expressions of the human and monkey heroes are varied and acute; some are intrepid, others justifiably anxious. A highly skilled professional artist has combined reverence with humorous worldly observation.' (Welch 1976, p.29)