The Jagannatha trinity seated in meditation (Ansara Pati), Orissa, circa 1800

Opaque watercolour and lacquer on cloth, depicting Balabhadra as Balarama, Subhadra as Bhuhaneshvari and Jagannatha as Narayana

Rossi 1998, p. 74, no. 25

In fair condition, losses to the centre left, extremities and four corners, minor rubbing and wear marks causing slight paint loss, very light craquelure throughout, folding marks, as viewed.
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Ansara pati which translates as a 'time of rest' was a pictorial substitute used when the wooden sculptures were removed from the temples for fifteen days for their annual period of restoration. This period of restoration or resting (ansara) followed a ritual bathing and a procession ratha yatra. According to Rossi this ansara pati  was probably made for a Jagannatha temple in the countryside surrounding the Puri temple. The act of painting of an ansara pati was a great honour and a priveledge for the Puri, artist who would have performed rituals of purification before he commenced his work. The painting of the deities' eyes marked the completion of the painting and signified the deity embodying the image.