SIX DESIGNS FOR FURNITURE AND OBJECTS, INDIA, 19TH CENTURY

Ink with use of colours on paper

Three items (A, B and F) trimmed and laid down on modern stout paper. C and D with lightly frayed edges. Some with slight scuffing and discolouration. As viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A number of designs produced for and by Indian craftsmen, many retained within institutional collections, give a glimpse into the working practices in various media. The Victoria and Albert Museum, London, has a significant holding of such drawings, covering works from swords and furniture to Kashmir shawls (Skelton 1982, pp.68-9, nos.171-190). Some of the howdah designs incorporate the figure of a tiger. Lions were frequently displayed as emblems of royalty by Indian rulers, but the tiger tends to be associated with Mysore and so its inclusion suggests the possibility that these drawings were made by craftsmen working at that court.  An important and extensive pattern book comprising individual, repeat and border designs was sold in these rooms, 30 April 2003, lot 22.