A silver and brass-inlaid Bidriware huqqa base, Deccan, India, later 17th century

in the form of a mango, the inlaid decoration comprising four flowering stems and interstitial foliate motifs, the neck surrounded by a garland of leaf patterns within double line borders

pitting and patination, inlay in great condition, as viewed
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The mango form was frequently adopted in Indian art for small vessels and containers, often in precious metals or richly decorated (see lot 121). This huqqa base is the portable form intended to be held in the hand of the user, or perhaps a servant. Another bidriware huqqa base of this form is in the Victoria and Albert Museum and one in brass is in the David Collection, Copenhagen (Zebrowski 1997, pp.240-241, nos. 409 and 411, respectively). The decoration of this example is with swaying flowering stems typical of Mughal design.