A Deccani mango-shaped parcel-gilt silver container, possibly Golconda, India, first half 17th century

of stylised mango form with a domed screw stopper, a neck applied with granulation, chased on both sides with elaborate floral and foliate sprays separated along one edge with a stylised tree, later stopper chain

in good overall condition, minor surface dents and rubbing, areas of patination, as viewed
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The feathery floral forms employed in the decoration of this piece are distinctive and redolent of those employed in miniature illumination and painting from this period in the Deccan. The flowers are reminiscent of those depicted in a mid-seventeenth century Bijapuri painting thought to be by Haidar Ali or Ibrahim Khan (Zebrowski 1983, p.133, no.101). Similar designs also feature on contemporary architectural decoration, such as the painted designs on the mihrab of the Jami Mosque in Bijapur of 1636 (Michell & Zebrowski 1999, p.142, no.106).