- 162
Lynn Chadwick, R.A.
Estimate
50,000 - 70,000 EUR
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Description
- Lynn Chadwick, R.A.
- Beast IX
- inscrit 206 et numéroté
bronze
- H.: 91,4 cm; 36 in.
- Exécutée en 1956, cette oeuvre est le numéro 3 d'une édition à 6 exemplaires.
Exhibited
Venise, Pavillon Britannique, Biennale, 1956, cat. no.22, illustré (le fer et la maquette exposés); exposition itinérante: Vienne, Munich, Paris, Amsterdam, Bruxelles et Londres
Amsterdam, Stedelijk Museum, mars-mai 1957 (autre exemplaire)
Londres, Arts Council of Great Britain, Contemporary British Sculpture, 1958 (le fer et la maquette exposés)
Hanovre, Kestner-Gesellschaft, Kenneth Armitage/Lynn Chadwick, 1960, catalogue, no.48, illustré (autre exemplaire)
Amsterdam, Stedelijk Museum, mars-mai 1957 (autre exemplaire)
Londres, Arts Council of Great Britain, Contemporary British Sculpture, 1958 (le fer et la maquette exposés)
Hanovre, Kestner-Gesellschaft, Kenneth Armitage/Lynn Chadwick, 1960, catalogue, no.48, illustré (autre exemplaire)
Literature
Architectural Review, vol.122, Octobre 1957, p.270
Louisiana Revy, 1/2, Novembre 1960, p.15
Herbert Read, Lynn Chadwick, Artists of Our Time, Bodensee-Verlag, Amriswil, Suisse, 1958, p.15, illustré (autre exemplaire)
Josef Paul Hodin, Chadwick, Modern Sculptors, Londres, 1961, pl.17, illustré (autre exemplaire)
Alan Bowness, Lynn Chadwick, London, 1962, p.9, illustré;
Bryan Robertson, John Russell, Lord Snowdon, Private View, Londres,1965, pp.90-91, illustré (autre exemplaire)
Dennis Farr et Eva Chadwick, Lynn Chadwick, Sculptor, Aldershot, 2006, cat. no.206, p.123, illustré (autre exemplaire)
Louisiana Revy, 1/2, Novembre 1960, p.15
Herbert Read, Lynn Chadwick, Artists of Our Time, Bodensee-Verlag, Amriswil, Suisse, 1958, p.15, illustré (autre exemplaire)
Josef Paul Hodin, Chadwick, Modern Sculptors, Londres, 1961, pl.17, illustré (autre exemplaire)
Alan Bowness, Lynn Chadwick, London, 1962, p.9, illustré;
Bryan Robertson, John Russell, Lord Snowdon, Private View, Londres,1965, pp.90-91, illustré (autre exemplaire)
Dennis Farr et Eva Chadwick, Lynn Chadwick, Sculptor, Aldershot, 2006, cat. no.206, p.123, illustré (autre exemplaire)
Condition
The colours of the patina are fairly accurate in the catalogue illustration.
This work is in excellent condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
inscribed 206 and numbered; bronze. Executed in 1956, this work is number 3 from an edition of 6.
"'Il me semble que l'art doit être une force vitale surgie de l'obscurité, saisie par l'imagination et traduite par le talent et la manière de l'artiste. Quelle que soit la forme finale, la force qui est derrière est invisible".
Comp.
Lynn Chadwick, 1953 © The Estate of Lynn Chadwick