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Paul-Henri Ledentu 1874-1951 A large pair of belle époque gilt bronze figural ten light candelabras Paris, circa 1900
Estimate
25,000 - 35,000 USD
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Description
- Paul-Henri Ledentu
- bronze
- overall height 47 in.
- 119.5 cm
the bronze elements have been dismantled to reveal the mark HL, from Ledentu's fondry workshop, in many places.
Condition
In good condition and good presentation, with the usual tarnishing to gilt bronze. The pair has retained its original gilding and is well cast.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The artist sculptor Pierre-Henri Ledentu mastered his trade at the École des Arts Décoratifs in Paris. He participated at the yearly Salons with great success before deciding to grow his business and revenue by editing the oeuvre of other artists, like Albert-Ernest Carrier-Belleuse and Jean-Baptiste Carpeaux.