Ferdinando Vichi

In good and fair condition with the usual traces of dirt, which can be cleaned. The figure has three repaired fingers.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Vichi was part of the talented band of Tuscan sculptors associated with the Bazzanti Gallery in Florence. His compositions are varied in subject matter, ranging from busts after the Antique to Orientalist themes and Renaissance-inspired models. Like many other late nineteenth-century sculptors, Vichi often took inspiration from classical antiquity, as with this sea nymph emerging from the waves. The present model is based less on an acknowledged academic example and relies much more on the artist's imaginative idealization of sensual female curves and a sly smile. Though it is a somewhat flirtatious subject, this work in white marble demonstrates a high technical virtuosity, particularly in Vichi's mastery of facial expression, modeling of form, and the drapery-like decorations of the lapping waves. The nymph's arm which rises above her head to clasp a conch shell was a challenging element of the composition, as were the cascading curves of the wave tips and flowing hair.