- 30
Gilberto Zorio
Estimate
25,000 - 35,000 GBP
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Description
- Gilberto Zorio
- Stella
- signed, inscribed and dated 77
- vellum, leather and wax
- 64 by 92cm.
- 25 1/4 by 36 1/4 in.
- This work is accompanied by a certificate signed by the artist.
Condition
Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is warmer.
Condition: This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
"My problem has always been that of creating an energetic, rather than material, work. I have always made things which I needed in that moment. I've never particularly loved materials. I'm only interested in those elements which can be fully adapted to an idea and most closely adhere to it." (the artist cited in: Carolyn Christov-Bakargiev, Arte Povera, London 1999, p. 275)