- 73
John Melhuish Strudwick
Estimate
8,000 - 12,000 USD
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Description
- John Melhuish Strudwick
- Study for the Central Figure of Passing Days
- pencil on paper
- 8 5/8 by 5 7/8 in.
- 21.9 by 14.9
Provenance
Peter Nahum, London
Acquired from the above in 1984
Acquired from the above in 1984
Condition
Paper is light struck and surface somewhat dirty on both sides; hinged to top of mat with archival tape. Verso bears later pencil inscriptions.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
In the present work, a study for the central figure of Passing Days (see lot 72 for further discusson), Strudwick's keen ability as a draughtsmen is evidenced by the finely drawn musculature and nuanced expression later recreated in paint. The verso of the present work presents a quicker sketch of a pair of legs, perhaps an early idea for one of the lovely maidens representing the happy past in Passing Days.