Louis-Ernest Barrias

Peter Fusco and al.; Romantics to Rodin, Los Angeles, 1980, pp.115-116

Overall in good original condition with the usual wear to the patina in places especially to the top of head, arms and legs consistent with handling and touching. Light scratches and dents consistent with age. Wear to protruding parts consistent with age.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This ambitious three-figure group represents Adam and Eve carrying the body of their son Abel.

Barrias took great pains to emphasise the contrast between masculine and feminine responses to death while at the same time resolving the complex challenge of representing three life-size figures in the round. Eve hugs Abel to her bosom and kisses his head with maternal compassion, while Adam stoically bears the weight of his son with a brooding, reflective resignation.

The life-size plaster model won Barrias a medal of honour at the 1878 Salon and a marble version was exhibited in 1883 and purchased by the city of Paris. Three further marble versions were made for Marmontel (1886), Munkacsy (1887) and Carl Jacobsen (1892) with the permission of the city council.