Lot 28
  • 28

Philip Lodewijk Jacob Frederik Sadée

Estimate
30,000 - 50,000 EUR
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Description

  • Philip Lodewijk Jacob Frederik Sadée
  • The departure of the fishing fleet
  • signed l.l.
  • oil on canvas
  • 50 by 75 cm.

Provenance

Portsmouth Fine Art Gallery, Havant, United Kingdom

Condition

Original canvas. Some craquelure in the sky. Some very minor retouches in the upper left corner and in the centre of the sky. One minor retouch in the upper right corner and some very minor below it. Some minor retouches in the figure to the far right, in the figures standing and some in the two reclining figures to the far left. Otherwise in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Philip Sadée owes his fame to lively beach and dune scenes, painted in a style characterised by clear colours and accurate, finished brushwork. He started out as a painter of historical and biblical subjects, earning him considerable success in the early part of his career. Around 1865 he distanced himself from these academic subjects and focused his attention on genre scenes taken from daily life. He studied for six months with the Düsseldorf genre painter Albert Kindler, whose colourful, finished style left a clear imprint on Sadée's art. 

in 1868 a stay in the fishing village Scheveningen aroused Sadée's interest in fisherfolks' life. He returned there regularly, especially in autumn when there was much activity on the beach and the skies displayed the wonderful greyish tones that became a hallmark of the Hague School. His contribution to the popular fishing-genre was completely original, as Gram recognised in an article on the painter (1898): 'He depicts the life of the fishermen in his own way and leaves his own personal mark on his art', thus Gram, who ranged Sadée among the most talented painters of the Hague School.