Lot 74
  • 74

Jan Schoonhoven

Estimate
40,000 - 60,000 EUR
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Description

  • Jan Schoonhoven
  • Corrugated Cardboard II
  • signed, titled and dated 1964 on the reverse
  • Corrugated cardboard, wood

  • 120 by 99 cm.

Provenance

Galerie Orez, The Hague
Acquired from the above by the present owner in 1969

Exhibited

Biennale Sao Paolo, 1967, no. 9
Eindhoven, Stedelijk van Abbemuseum, Jan Schoonhoven-reliefs en tekeningen, Nov. - Dec. 1968, no. 20

Condition

Colours: Colours: The colours in the catalogue illustration are fairly accurate. Condition: Very minor, non-disturbing, paint cracks to the sides of the artist's frame due to construction. Very minor surface dirt throughout. Otherwise in very good condition. With artist's frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Taking its inspiration from the regularity and order he perceived around him in the fabric of modern living, Schoonhoven's work sought to form a bridge between art and contemporary society through a universal abstract visual language that was both devoid of emotion and filled with infinite possibilities of interpretation. Using an impersonal and entirely novel approach to art making that combined painting and sculpture, this exquisitely hand-crafted monochrome papier-mache relief possess an internal harmony, whose sense of purity is carefully balanced by its delicate surface and subtle tonal movement.