Italian, late 19th century After Antonio Canova (1757-1822)

There is evidence of some weathering to the surface, particularly to the back of the sculpture. The toes on the proper right foot have been restored and the little finger to the proper left hand has been reattached and there is restoration to the fingers of the fight hand. There is a restored break to the neck which runs across the chin.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Antonio Canova's portrait of Paolina Borghese, Napoleon Bonaparte's sister and the wife of Prince Camillo Borghese, presents the sitter in the guise of Venus Victrix, holding the apple of Paris. Canova initially proposed a sculpture of Paolina Borghese as Diana, clothing her in drapery, befitting her aristocratic rank. However, the princess rejected this suggestion, requesting that she be presented as Venus, who is traditionally presented nude. The result is one of Canova's most celebrated commissions; a portrait that is both sensuous and provocative. The original marble, never intended to be exhibited publically, is housed in the collections of the Villa Borghese in Rome.