Lot 75
  • 75

Pablo Picasso

Estimate
4,000 - 6,000 EUR
Log in to view results
bidding is closed

Description

  • Pablo Picasso
  • PORTRAIT D'AMBROISE VOLLARD IV
  • eau-forte, une très rare et belle épreuve, avant les biseaux et probablement avant l'aciérage (Baer mentionne seulement deux états l'un avant l'aciérage et les biseaux et l'autre après l'aciérage et les biseaux), Baer ne cite qu'une seule autre impression avant l'aciérage au Musée Picasso, Paris (il y a également eu un tirage de 260 exemplaires et un tirage à grandes marges de 50 exemplaires, ainsi que quelques épreuves d'essai après l'aciérage de la planche), sur vergé de Montval.

  • planche : 34,8 x 24,8 cm ; 13¾ x 9¾ in.
  • feuille : 45 x 33 cm ; 17 5/8 x 13 in.

Literature

Bloch 233, Baer 619, Johnson 95/100

Condition

with full margins, a pale fox mark in the margins at top, a couple only visible verso, occasional handling creases, a tiny tear in lower right margin away from the image, in good condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

etching, one of the very rare impressions before the bevelling of the plate and probably also before steelfacing (Baer cites only two states: one before steelfacing and bevelling, the other after steelfacing and bevelling), Baer cites only one other impression in the Musée Picasso, Paris (there was also an edition of 260 and an edition of 50 with wide margins after steelfacing), on Montval laid paper.